Francisco Kim
PhD in theoretical physics by training, but a musician and musicologist at heart. A happy combination knitter, an avid novel reader, a disciplined meditator, and a sports enthusiast — whether taking part or watching from the sofa with crisps in one hand and a beer in the other.
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Featured: Fuga I
A three-voice fugue in D minor built on the B-A-C-H motif within the counterpoint rules of the Baroque period. Listen below, then read the full write-up, which includes a musicological, computational and mathematical analysis of the piece.
Read the full analysis of Fuga I →
